Battle of Fort McHenry in the War of 1812

Battle of Fort McHenry in the War of 1812 The Battle of Fort McHenry was fought September 13/14, 1814, during the War of 1812 (1812-1815). Part of the larger Battle of Baltimore, the Battle of Fort McHenry saw the forts garrison defeat a British fleet that had been advancing on the city. As the British had recently captured and burned Washington, DC, the victory proved critical in halting their advance in the Chesapeake. Coupled with successes elsewhere, the victory strengthened the hand of American negotiators at the Ghent peace talks. Francis Scott Key saw the fighting from a British ship where he was held prisoner and was inspired to write the Star-Spangled Banner based on what he had witnessed. Into the Chesapeake Having defeated Napoleon in early 1814 and removed the French emperor from power, the British were able to turn their full attention to the war with the United States. A secondary conflict while the wars with France were ongoing, they now commenced sending additional troops west in an effort to achieve a swift victory. While Lieutenant General Sir George Prevost, the governor-general of Canada and commander of British forces in North America, commenced a series of campaigns from the north, he ordered Vice Admiral Alexander Cochrane, the commander of the Royal Navys ships on the North American Station, to make attacks against the American coast. Though Cochranes second-in-command, Rear Admiral George Cockburn, had been raiding up and down the Chesapeake Bay for some time, additional forces were en route. Arriving in August, Cochranes reinforcements included a force of around 5,000 men commanded by Major General Robert Ross. Many of these soldiers were veterans of the Napoleonic Wars and had served under the Duke of Wellington. On August 15, the transports carrying Ross command entered the Chesapeake and sailed up the bay to join with Cochrane and Cockburn. Admiral Sir Alexander Cochrane. Public Domain Reviewing their options, the three men elected to mount an attack on Washington DC. The combined fleet then moved up the bay and quickly trapped Commodore Joshua Barneys gunboat flotilla in the Patuxent River. Pushing up the river, they destroyed Barneys force and put Rosss 3,400 men and 700 marines ashore on August 19. In Washington, President James Madisons administration worked fruitlessly to deal with the threat. Not thinking that the capital would be a target, little work had been done in regard to constructing defenses. Overseeing the troops around Washington was Brigadier General William Winder, a political appointee from Baltimore who had been captured at the Battle of Stoney Creek in June 1813. Since the majority of the US Armys regulars were occupied on the Canadian frontier, Winder s force was largely made up of militia. Burning Washington Marching from Benedict to Upper Marlborough, the British decided to approach Washington from the northeast and cross the East Branch of the Potomac at Bladensburg. On August 24, Ross engaged an American force under Winder at the Battle of Bladensburg. Achieving a decisive victory, later dubbed the Bladensburg Races due to the nature of the American retreat, his men occupied Washington that evening. Taking possession of the city, they burned the Capitol, Presidents House, and Treasury Building before encamping. Additional destruction ensued the next day before they departed to rejoin the fleet.  Following their successful campaign against Washington DC, Cochrane and Ross advanced up the Chesapeake Bay to attack Baltimore, MD. British forces burning Washington, DC, 1814. Public Domain A vital port city, Baltimore was believed by the British to be the base of many of the American privateers that were preying on their shipping. To take the city, Ross and Cochrane planned a two-prong attack with the former landing at North Point and advancing overland, while the latter attacked Fort McHenry and the harbor defenses by water. Fighting at North Point On September 12, 1814, Ross landed with 4,500 men on the tip of North Point and began advancing northwest towards Baltimore. His men soon encountered American forces under Brigadier General John Stricker. Dispatched by Major General Samuel Smith, Stricker was under orders to delay the British while the fortifications around the city were completed. In the resulting Battle of North Point, Ross was killed and his command took heavy losses. With Ross death, command devolved to Colonel Arthur Brooke who elected to remain on the field through a rainy night while Strickers men withdraw back to the city. Battle of North Point. Photograph Courtesy of the US Army Fast Facts: Battle of Fort McHenry Conflict: War of 1812 (1812-1815)Dates: September 13/14, 1814Armies Commanders:United StatesMajor General Samuel SmithMajor George Armistead1,000 men (at Fort McHenry), 20 gunsBritishVice Admiral Sir Alexander CochraneColonel Arthur Brooke19 ships5,000 menCasualties:United States: 4 killed and 24 woundedGreat Britain: 330 killed, wounded, and captured The American Defenses While Brookes men suffered in the rain, Cochrane began moving his fleet up the Patapsco River toward the citys harbor defenses. These were anchored on the star-shaped Fort McHenry. Situated on Locust Point, the fort guarded the approaches to the Northwest Branch of the Patapsco which led to the city as well as the Middle Branch of the river. Fort McHenry was supported across the Northwest Branch by a battery at Lazaretto and by Forts Covington and Babcock to the west on the Middle Branch. At Fort McHenry, the garrison commander, Major George Armistead possessed a composite force of around 1,000 men. Bombs Bursting in Air Early on September 13, Brooke began advancing towards the city along the Philadelphia Road. In the Patapsco, Cochrane was hampered by shallow waters which precluded sending forward his heaviest ships. As a result, his attack force consisted of five bomb ketches, 10 smaller warships, and the rocket vessel HMS Erebus. By 6:30 AM they were in position and opened fire on Fort McHenry. Remaining out of range of Armisteads guns, the British ships struck the fort with heavy mortar shells (bombs) and Congreve rockets from Erebus. Advancing ashore, Brooke, who believed they had defeated citys defenders the day before, was stunned when his men found 12,000 Americans behind substantial earthworks east of the city. Under orders not to attack unless with a high chance of success, he began probing Smiths lines but was unable to find a weakness. As a result, he was forced to hold his position and await the outcome of Cochranes assault on the harbor. Early in the afternoon, Rear Admiral George Cockburn, thinking the fort had been badly damaged, moved the bombardment force closer increase the effectiveness of their fire. Defense of Fort McHenry, 1814. Public Domain As the ships closed, they came under intense fire from Armisteads guns and were compelled to draw back to their original positions. In effort to break the stalemate, the British attempted to move around the fort after dark. Embarking 1,200 men in small boats, they rowed up the Middle Branch. Mistakenly thinking they were safe, this assault force fired signal rockets which gave away their position. As a result, they quickly came under an intense crossfire from Forts Covington and Babcock. Taking heavy losses, the British withdrew. The Flag Was Still There By dawn, with the rain subsiding, the British had fired between 1,500 and 1,800 rounds at the fort with little impact. The greatest moment of danger had come when a shell struck the forts unprotected magazine but had failed to explode. Realizing the potential for disaster, Armistead had the forts gunpowder supply distributed to safer locations. As the sun began to rise, he ordered the forts small storm flag lowered and replaced with the standard garrison flag measuring 42 feet by 30 feet. Sewn by local seamstress Mary Pickersgill, the flag was clearly visible to all of the ships in the river. The sight of the flag and the ineffectiveness of the 25-hour bombardment convinced Cochrane that the harbor could not be breached. Ashore, Brooke, with no support from the navy, decided against a costly attempt on the American lines and began retreating towards North Point where his troops re-embarked. Aftermath The attack on Fort McHenry cost Armisteads garrison 4 killed and 24 wounded. British losses were around 330 killed, wounded, and captured, most of which occurred during the ill-fated attempt to move up the Middle Branch. The successful defense of Baltimore coupled with victory at the Battle of Plattsburgh aided in restoring American pride after the burning of Washington DC and bolstered the nations bargaining position at the Ghent peace talks. Francis Scott Key, circa 1825. Public Domain - Walters Art Museum The battle is best remembered for inspiring Francis Scott Key to write The Star-Spangled Banner. Detained aboard the ship Minden, Key had gone to meet with the British to secure the release of Dr. William Beanes who had been arrested during the attack on Washington. Having overhead the British attack plans, Key was forced to remain with the fleet for the duration of the battle. Moved to write during the forts heroic defense, he composed the words to an old drinking song entitled To Anacreon in Heaven. Initially published after the battle as the Defense of Fort McHenry, it eventually became known as the Star-Spangled Banner and was made the National Anthem of the United States.

10 Companies Hiring Admins Like Crazy Right Now

10 Companies Hiring Admins Like Crazy Right Now Every company needs an administrative professional to operate the office. If you are looking to find a job in the admin field, you are in the right place. We have found 10 companies that are hiring admins like crazy right now.1. Sutherland Global ServicesEstablished in 1986,   Sutherland Global Services is a global provider of business process and technology management services. It employs over 36,000 professionals and has locations across the United States, Australia, Brazil, and other countries.See all open admin jobs  from  sutherland global services2. Quest QiagnosticsQuest Diagnostics is a leading clinical lab and offers the most extensive clinical testing network in the U.S. It employs over 10000+ professionals country wide.See all open admin jobs  from Quest Diagnostics3. Mount SinaiThe mission of the Mount Sinai Health System is to provide compassionate patient care and advance biomedical research. It employs over 6600 physicians, 12 ambulatory surgery centers, over 4 5 ambulatory practices.See all open admin jobs  from Mount Sinai4. Baylor Scott White healthBaylor Scott White Health is the largest not-for-profit health care system in the state of Texas. The organization includes 56 hospitals, more than 5,800 active physicians, and over 40,000 employees.See all open admin jobs  from Baylor Scott White Health5. SobeysEstablished in 1907, Sobeys is one of only two national grocery retailers in Canada. Sobeys hires over 124,000 employees all over the country.See all open admin jobs  from Sobeys6. VHAVHA home healthcare (VHA) is a not-for-profit chartiable organization, providing health care and support services to people of all ages and cultural backgrounds. it also employs over 2000 staff and service providers.See all open admin jobs  from VHA7. LowesLowes is a home improvement company and has stores across United States, Canada and Mexico. Lowes has more than 1,840 home improvement and hardware stores and hires over 265,000 employees.Se e all open admin jobs  from Lowes8. Express ScriptsExpress Scripts is a prescription benefit plan provider and manages prescriptions for over 100 million Americans. Express Scripts hires over 10,000 employees across the country.See all open admin jobs  from Express Scripts9. Air Force Personnel CenterAFPC executes programs covering the entire life cycle of military and civilian personnel for the air force and ensures commanders around the world have the right number of skilled air forced personnel to conduct the mission.See all open admin jobs  from Air Force Personnel Center10. Hudsons BayFound in 1670, Hudsons Bay is North Americas longest continually operated company. It has more than 460 stores and employs over 66,000 staff around the world.See all open admin jobs  from Hudsons Bay

Anton Vidokles Text Art Without Artists Essay Example | Topics and Well Written Essays - 1000 words

Anton Vidokles Text Art Without Artists - Essay Example According to the essay "Anton Vidokles text "Art Without Artists?" findings, the work of artists is fundamental in supporting the work of curators. In other words, the curatorial practice would not be as relevant and useful as it is today were it not for the effort of artists. Any artistic work that does not include the artist themselves is doomed to fail. According to V, the talents of the curator are not enough to make art a success. He says that there is need to distinguish between what he terms as â€Å"the artistic decision to include an activity within an artwork and the curatorial power to designate something as art through its inclusion in an exhibition†. In other words, V points out that an artist’s decision to have his production included in an exhibition is very different from the curator’s decision to exhibit a certain piece of art. According to Vidokle, curatorial power and artistic authorship can be differentiated through proper legislation. He give s the example of a clash between Brazilian curators and graffiti artists whereby the curators attempted to hold an art exhibition without the participation of artists. In this regard, the question is whether curators should use artistic space and resources to showcase their personal collections of artwork and other items. Vidokle says that the problem does not lie in the power of curators to open archives to the public or to the extent to which their exhibitions are interesting. Rather he says that the problem lies with the practice of most curators to dismiss or discredit the work of original artists. According to the author, it is wrong for the curators to use artistry and artists for self-gain. The article also looks at the job of the curator. He insists that curators are not free agents, but professionals who perform their duties on behalf of other parties. The jobs of curators normally come with power, security and a responsibility for several artistic activities. These powers, security and responsibilities may give the curator some sense of institutional authorship of artistic works, but Vidokle indicates that this does not necessarily translate to claim on individual works of art. Curators’ job is to advance the works of artists, not trying to own the artworks. Vidokle goes further to analyze the relationship between curators and artists. The author likens this relationship with the kind of relationship that exists between an organization’s management and its workforce. In this case, the workforce is represented by the artists while the management consists

Future of healthcare Essay Example | Topics and Well Written Essays - 250 words

Future of healthcare - Essay Example The government should make the health care system a single pay and nationalize all medical insurance services as well as investing extra in the system to reduce the cost of recurrent spending. The increasing stratification in health care access and provision are other daring challenges facing the U.S health care system. For example, the approach to ask individuals to pay more for their health care will result in stratification in medicare provision. Hooper (2009) predicts that those paying higher insurance premiums will get access to a wider variety of health care services than the struggling middle class and lower class who cannot afford such high premiums. Therefore, the government should adopt a policy that dictates health care provision to all irrespective of the ability to pay. In other words, as Pasdirtz (2007) presents it, the state should reduce privatization of the health care provision. Lastly, the number of the uninsured population in U.S is surprisingly growing with an estimated 45 million people currently being in the uninsured group. The implication is that those uninsured will miss out on better health care provision ad Medicare hence painting a denting image on the government as having failed to give its subjects sufficient health care. The government should bridge the gap between the disadvantaged and the high-income

Custom Web Design, Database Design, and Integration Essay Example for Free

Custom Web Design, Database Design, and Integration Essay Welcome to SofterNet your source for web design and internet programming solutions! SofterNet is a highly motivated web design and development company based in Myrtle Beach, South Carolina. Our goal is to successfully deliver web solutions to both local and global clients. Whatever your web design and development needs may be, SofterNet can provide you with the perfect solution by using the best technologies, techniques, and developers available in the world. Individual components of your website such as custom web development, Flash design, graphics, virtual tours, programming and internet marketing are done by developers whom we have personally chosen due to their specific training in the before mentioned skills and abilities. From conception to branding to implementation, SofterNet is proud to provide you with a turnkey solution that is within budget and on time. We provide web site design, updates, search engine optimization and domain name registration in all-inclusive packages that promise to make it easy for you to get on the web fast and hassle free. At SofterNet, when your need meets with our expertise, we call it a solution. Services Custom Web Design, Database Design, and Integration At Softernet, we can create a custom website, either static or dynamic, that represents your company’s image and gives your business a unique, professional look. Do you need an efficient database driven website? Softernet has the ability to create exactly what you need at the price you can afford. We are also proud to offer FileMaker software. FileMaker is a powerful database that can be accessed by almost any system and is used to integrate companies quickly and securely. It can also be programmed to automatically take care of everyday tasks, receive data entry faster, and make sure that your work is presented perfectly every time. FileMaker is the perfect solution for sharing information both professionally and securely. Our employees will handle all the details for you, including registering your domain, setting up your hosting and email accounts, designing your website, and adding software to your exact specifications. We will be satisfied when you are satisfied. Do you want to spice up your website? Try Internet Applications and Flash Animation Softernet can make your new website interactive and interesting by using custom Internet components. Do you prefer or need a specific programing technique? Our employees are highly trained in every kind of programing language, so we can create anything you need at a reasonable price. Do you want to bring your site to life? We can help by using Flash media! Your website viewers are sure to be impressed with your site’s advanced animation and text effects. Remember, an interesting site pulls in more people than a dull site. Make yours irresistible! Maybe you have concerns about learning to update your site. Worry no more! We offer Content Management Systems Softernet can integrate a web based content management tool into your website to allow you to instantly update your site without any technical knowledge. With the content management system, you will be able to add, modify, and remove content as easily as using a word processor program. You’ll love the simplicity, and your customers will love your up to date website! Now your website is up to date, but you want to venture into ecommerce. We can help with Ecommerce Solutions Do you need to sell your product from your website, but you don’t know how to start? We provide professional ecommerce services such as web design, shopping cart development, and integration. Your services can be for sale in no time! But, how are people going to find your site and your services? Here’s how Search Engine Optimization Softernet makes all our websites search engine friendly! We also provide the ultimate search engine optimization and submission services for every type of website. With our search engine optimization, your site will be optimized, submitted, and monitored to reach maximum ranking in the top search engines. This service is guaranteed to bring more visitors to your site, and more visitors mean more business! This is a service you simply cannot do without. Portfolio Would you like to get an idea of what your website might look like in its finished state? In our portfolio, you can take a look at websites that we have created for other customers. Take some time to look around at the different functions and features that these websites offer, and get some ideas of what you would like to have on yours. Everything featured in this portfolio is available for your website, so pick your favorite or choose different features from different websites. When you see something you like, let us know. We will then get to work on building the perfect website for your particular needs. Thank You Softernet would like to thank you for requesting a quote for our services. We will review your information, and we will contact you as soon as possible with your quote. Thanks again for using Softernet, and have a nice day.

Accounting :: Free Essay Writer

I - A. â€Å" Representational faithfulness is accomplished when transactions and events affecting the entity are presented in financial statements in a manner that is in agreement with the actual underlying transactions and events† (CICA, Financial statement Concepts 1000.21 (a), 2003). It means that all of information in the financial statement such as numbers and descriptions must be factual. The independent auditors checked the computer ID tags on each piece of equipment to confirm the actual numbers, and for that reason Byrn Company observes the representational faithfulness that is one of subsets of reliability. I - B. â€Å"The consistency principle states that businesses should use the same accounting methods and procedures from period to period† (Harrison, Horngren, Lemon, & Lemon, 2004, p. 279) Hence the financial statement of Carroll Company violates the consistency principle. I - C. â€Å"The time-period concept ensures that accounting information is reported at regular intervals† (Harrison, Horngren, Lemon, & Lemon, 2004, p. 114). Still, the company believes that quarterly financial information can be issued whenever it is convenient for the accounting department, and they published its first three quarterly reports during the 10th month of the year. Consequently the financial statement of Dawn’s Data Enterprises violates the timeliness that is one of subsets of relevance. I - D. â€Å"The financial statement representation of a transaction or event is verifiable if knowledgeable and independent observers would concur that it is in agreement with the actual underlying transaction or event with a reasonable degree of precision. Verifiability focuses on the correct application of a basis of measurement† (CICA, Financial statement Concepts 1000.21 (b), 2003). Even though the comptroller of the bank knows the electric pencil sharpener may qualify as an asset by years of benefit expected, he decided that the cost of the sharpener should be expensed. As a result, the financial statement of the bank violates the verifiability that is one of subsets of reliability. I - E. â€Å"Information that helps users to predict an entity’s future income and cash flows has predictive value† (CICA, Financial statement Concepts 1000.20 (a), 2003). The company’s financial statements show ten years successful operation, and it helps Bill to invest in the company. The financial statement of Wilson Enterprises follows the predictive value and feedback value which is one of subsets of relevance. II - A. A dress shop purchases a $3,500 sewing machine to use for alterations. A dress shop’s assets increase amount of $3,500 because assets mean all resources owned by a business.

My Hobby Essay

Vegetable gardening as my favorite hobby Deepa George WGU February 20, 2013 Vegetable gardening as my favorite hobby Hobby is an entertaining activity which provides pleasure and recreation. It is a way of escaping from the stress and the monotony of one’s daily round of duties. Therefore, hobby is essential for the proper enjoyment of life. My favorite hobby is vegetable gardening because it provides me sense of pride, peace, and relaxation, promote healthy life style and save money on groceries. You should start gardening as your hobby because it provides you relaxation, keeps you physically healthy, and save money on grocery bills. First of all, a vegetable garden is an easy and effective way to provide a sense of pride and relaxation. I am fortunate to have a spacious backyard for the gardening. I have vegetables and crops such as peas, lettuce, greens, cabbages, root crops, squash, beans, corn, melons, cucumber, eggplant, pepper, and herbs in my garden in different seasons. Research shows that gardening promotes mental health by relieving stress and promoting a sense of accomplishment. Spending some time in the garden ease stress, keep you limber and improve your mood. Vegetable gardening is a wonderful pastime the whole family can enjoy. Allowing children to be involved in the gardening help them to develop an understanding of nature, sense of responsibility, and pride. Kids are more likely to taste vegetables they grow themselves. My five year old son is proud about our vegetable garden. He helps us with watering the plants, caring for the crop and harvesting the produce. He was extremely reluctant to eat fruits and vegetables buying from the market, but now he does not want to miss anything coming from our garden. When your daughter Sara was in my house, she enjoyed peeking under leaves in search of ripe fruits and vegetables. Hence, I am sure that she will be so happy to have her own garden. Growing your own food, build a sense of pride and satisfaction. Watching a seed sprout in front of your eyes to become food on your plate is gratifying. The commitment for garden rewards you with a feeling that you have brought something to life. It is truly exciting to go to your backyard and get a juicy, ripened tomato for a salad. Now the weather is turning warm and favorable for planting. You should make a vegetable garden with your favorite vegetables like tomatoes, cucumbers and jalapeno peppers. The stores like Lowes, Home depot, and local seed stores have varieties of seeds with planting instructions. I will help you with picking out plants, preparing raised beds and containers, and fertilization of plants. I would like you to enjoy the sense of pride, accomplishment and relaxation by gardening which brings you close to nature. Secondly, planting vegetable gardening keeps you and your family healthy. It provides fresh fruits and vegetables right at your fingertips. Everybody is seriously concerned about the safety of the food available in the market. When you grow your own food carefully and organically, you do not have to worry about the contamination of the vegetables. When they grow in your backyard, you are not able to resist them, and their vitamin content will be at the highest level as you eat them straight from the garden. Thus, gardening is a simple and an easy way to promote good eating habits. Furthermore, gardening is a good outdoor exercise. Planting, weeding, watering, and harvesting require a lot of physical activity. Tending vegetable garden burns calories and uses muscles. Studies have shown that one can burn 200 to 500 calories per hour by working in the vegetable garden. The activities in the garden will give you sufficient physical exercise to keep you physically healthy and mentally alert. Finally, you will save money on groceries when you begin to stock your kitchen with fresh produce from backyard. It will help you to save money on gas you use to get to the store. To save money, you should plant smart and grow the food you like to eat. Make sure you grow a lot of vegetables that you use regularly. Since you like the salad, you should plant plenty of salad greens to save money. You can preserve the produce and enjoy the goodness of fruits and vegetables long after the harvest is over. There are four common ways to preserve foods: canning, freezing, drying, and pickling. Last year, I preserved beans, tomatoes, cucumbers, carrot and sweet corn and used for the rest of the year. You can share the extra vegetables with your friends, or sell in the fresh vegetable market. Every year I donate extra vegetables to a food pantry, and it helped me to take the tax deduction for non-cash distributions. You can save the seeds from the best produces, and use for next year. Gardening is an investment that offers a good return. For example, I have spent two dollar for one packet of green bean seeds. Once I cover the cost of soil, fertilizers, and water, I got a return of around seventy five dollars. I suggest you to start gardening as your hobby that produces positive economic return. Conclusively, vegetable gardening provides relaxation by getting a person outside and exposing to natural air. Planning a garden and caring for the garden help the person to stay healthy and save money. For all these reasons, I encourage you to choose vegetable gardening as your hobby.

Common Law Assignment

Jessie statement made to Ian that he is happy to ‘let go' of his car with the wording he has used has the potential to aka the situation somewhat ambiguous, Jessie true intentions are unclear. The statement is not definite and lacks sufficient finality for the statement to be classed as an offer. Although his wording is uncertain the courts will also look at what context the statement was made and because Ian did state he wanted to ‘buy a car for his daughter then the statement can be argued both ways.Jessie then invited Ian to his home to look at the car although there is still no conversation about the sale of the car. This offer doesn't have terms that are clear and final and therefore the requirement off valid offer has not been satisfied. It's important in deciding if valid acceptance has occurred to acknowledge that acceptance must be clear, absolute and identical to the terms in this case Ian in not having full knowledge of the terms has accepted without full knowl edge of the offer.He did not communicate acceptance to the offer Jessie. Ian in his actions of the visit to Jessie house to look at the car and his daughter taking full possession of the car cannot be seen as valid acceptance as Ian acted in ignorance of the offer Question 1 B Ian and Jessie at no point stated that they had any intention to enter into any binding agreement to create legal relations.The court will apply two tests the commercial presumption and the social and domestic presumption to determine if the parties had intended to create legal relations The language used by Ian in this case from the first discussion regarding the car, to the discussion regarding the ‘Market Value' seemed somewhat of a social nature rather than a commercial arrangement.Jessie at no point made any indication to Ian regarding a legally binding agreement and he at no point made any suggestion's to Ian that he was selling his car the court could el in favor of the social domestic presumption this was simply an arrangement between friends no intention to create legal relations have been satisfied Question Nan's consideration for the car is too vague and could be seen to be too affected by uncertainty due to there being at no point any talk of a sale or payment.Ian could not have provided good consideration in this case; it's unclear whether he provided consideration at all because an agreement has not been reached by both parties. A mere discussion between friends on the Market value of the car in question could not be seen as valid consideration. Question ID There is no valid contract between Jessie and Ian because all elements of a contract have not been satisfied at this stage.The terms are to ambiguous and unclear to come to a conclusion as to what the terms may have been as Jessie use of wording ‘Let go' of the car and further discussions with Ian are not certain. The courts may apply the six rules to help determine whether a contract exists or the certainty of the terms if there to be a contract. The terms in this case would be seen as Illusory and therefore the court would not enforces or recognize the terms as being a valid interact. 11.Assuming the courts did find in favor of the commercial presumption and other elements were satisfied the discussion regarding the market value of the car could be seen as a term to pay $3500 for the Toyota Corolla while Stephanie Nan's daughter takes first possession of the car. Question 2 Bryan can argue on the basis of lack of capacity as a minor and the contract can be void because it's not a contract for necessaries. Although he would have to prove that it's a luxury not a necessaries and it would be up to the courts to decide given his lifestyle and current circumstances 2. Common Law Assignment The issue is it's unclear whether Jessie is making an offer to sell or an offer simply as a gift as they have been friends for 15 years. In order to determine if a valid offer has been made application of the objective test would be applied . Would a reasonable person in these circumstances believe there to be a valid offer and what is the relative importance of the statement to each party?Jessie statement made to Ian that he is happy to ‘let go' of his car with the wording he has used has the potential to aka the situation somewhat ambiguous, Jessie true intentions are unclear. The statement is not definite and lacks sufficient finality for the statement to be classed as an offer. Although his wording is uncertain the courts will also look at what context the statement was made and because Ian did state he wanted to ‘buy a car for his daughter then the statement can be argued both ways.Jessie then invited Ian to his home to look at the car although there is still no conv ersation about the sale of the car. This offer doesn't have terms that are clear and final and therefore the requirement of a valid offer has not been satisfied. It's important in deciding if valid acceptance has occurred to acknowledge that acceptance must be clear, absolute and identical to the terms in this case Ian in not having full knowledge of the terms has accepted without full knowledge of the offer.He did not communicate acceptance to the offer Jessie. Ian in his actions of the visit to Jessie house to look at the car and his daughter taking full possession of the car cannot be seen as valid acceptance as Ian acted in ignorance of the offer Question 1 B Ian and Jessie at no point stated that they had any intention to enter into any binding agreement to create legal relations.The court will apply two tests the commercial presumption and the social and domestic presumption to determine if the parties had intended to create legal relations The language used by Ian in this cas e from the first discussion regarding the car, to the discussion regarding the ‘Market Value' seemed somewhat of a social nature rather than a commercial arrangement.Jessie at no point made any indication to Ian regarding a legally binding agreement and he at no point made any suggestion's to Ian that he was selling his car the court could ale in favor of the social domestic presumption this was simply an arrangement between friends no intention to create legal relations have been satisfied Question Nan's consideration for the car is too vague and could be seen to be too affected by uncertainty due to there being at no point any talk of a sale or payment.Ian could not have provided good consideration in this case; it's unclear whether he provided consideration at all because an agreement has not been reached by both parties. A mere discussion between friends on the Market value of the car in question could not be seen as valid consideration. Question ID There is no valid contr act between Jessie and Ian because all elements of a contract have not been satisfied at this stage.The terms are to ambiguous and unclear to come to a conclusion as to what the terms may have been as Jessie use of wording ‘Let go' of the car and further discussions with Ian are not certain. The courts may apply the six rules to help determine whether a contract exists or the certainty of the terms if there to be a contract. The terms in this case would be seen as Illusory and therefore the court would not enforces or recognize the terms as being a valid interact. 11.Assuming the courts did find in favor of the commercial presumption and other elements were satisfied the discussion regarding the market value of the car could be seen as a term to pay $3500 for the Toyota Corolla while Stephanie Nan's daughter takes first possession of the car. Question 2 Bryan can argue on the basis of lack of capacity as a minor and the contract can be void because it's not a contract for nece ssaries. Although he would have to prove that it's a luxury not a necessaries and it would be up to the courts to decide given his lifestyle and current circumstances 2.

A Comparison Of Displays At The National Gallery And Tate Modern The WritePass Journal

A Comparison Of Displays At The National Gallery And Tate Modern Introduction: A Comparison Of Displays At The National Gallery And Tate Modern ).   It is this matter of communicative vision versus skilled labor that is the crucial difference in the curating of the 18th to early 20th century display at the National Gallery and the Transformed Visions display at Tate Modern. Vision is here defined as the concept or thinking around the message communicated by the art while the definition of labor is a combination of meticulous work and technique. Both displays show a variety of work painted, sculpted and conceived by artists moving away from the realistic painting school – and by realistic I mean painted to approximate our physical, observable world or to be â€Å"physically truthful† if you will – and moving towards an art of emotional truth. As both displays contain mainly relatively new art and artwork that is conceptual – albeit to a very varying degree – the essay will instead focus on the curating of the displays and the interpretation of what is important about a specific artwork and by extension about art itself. According to Cecilia Anderson (2007, p,72) ‘the curatorial challenge is to situate what at first may†¨seem like vastly different ideas and create coherence.’ The focus of the argument is therefore on how order and information provided creates this coherence. Despite the fundamentally similar impetus for the creation of the artworks displayed, the two galleries diverge in their displays’ interpretation of the importance of vision and labor on the following three points: The focus created by title of and initial information about the display The type of information provided in the wall-text The layout – i.e. the division and content of separate rooms – in the display A Comparison of   Displays The first contrast between the two galleries is the difference in the initial contact between the observer and the display. While Tate Modern has given its display the title Transformed Visions, the National Gallery simply display their collection under the heading 1700 to 1900 or 18th to early 20th century. ‘Transformed Visions’ clearly indicates an emphasis on the driving forces behind the artworks themselves, and it is quickly derived that the art displayed within will be of a conceptual nature to a large extent.   This impression is further confirmed by the information given about the purpose of the display; ‘After the Second World War, artists forged a new kind of expressive abstraction. This wing looks at the ongoing presence of the human figure within such works, as well as wider responses to violence and war, and the tendency towards contemplative immersion exemplified by Mark Rothko’s Seagram  Murals.’ (Tate Modern, 2012) The expression ‘ongoing presence of the human figure’ suggests a transformative quality to this figure, making the human conceptual rather than an absolute physical form.   In some cases, like in Giacometti’s ‘Man Pointing’ (see bibliography for illustrations of this and all further mentioned artwork) or Francis Bacon’s ‘Seated Figure’, the human form is abstracted and twisted in some way, yet still clearly approximating a human form – much in the same way as less realistic paintings like Degas’ ‘Combing the Hair’ or Daumier’s ‘Don Quixote and Sancho Panza’ exhibited towards the end of the National Gallery display. In other works like ‘Head I’ by Philip Guston the human figure is highly abstracted – being merely a silhouette of a possible head, much in the same way a ball could be mistaken for one in thick fog – and yet others abandon the physical figure altogether.   Jackson Pollock’s ‘Yellow Islands’ is not a portrait of flesh, but of the psyche.   As the wall-text explains: ‘By dripping and pouring paint, [Pollock] was able to work in a free and intuitive way, his thoughts and feelings finding direct expression in the rhythmic patterns he created.’ Thus in a way, Pollock’s painting is a self-portrait of his own mind, a new kind of human figure. In contrast to this focus on the mind behind the matter, the National Gallery’s naming of and information about their display places its works of art in a temporal and historical framework rather than an artistic thought.   Most obvious is of course the name of the display; the visitor is instantly made aware of when the art he/she will see was created, yet not what it is about, unlike the Tate display which suggests a post-war period, yet does not limit itself to that only. Furthermore, the information provided about the display, as a whole, positions it historically: ‘it became more common for artists to paint smaller works that were exhibited and sold through art dealers and public exhibitions. In the 19th century, art movements [†¦] emerged, as did the idea of the independent artist who rebelled against the official art establishment.’ (National Gallery, 2012) Thus the display information draws focus to a history of art within the confines of merchants, movements and commissions rather than ideas, ideals and thoughts within the movements mentioned. Similarly, the second point of difference – the information provided in the wall-text – is also a matter of focus.   As the National Gallery display covers quite a lot of time the information they provide about the works centers on biographical, historical and technical facts. Tate Modern, on the other hand, provides wall-text with some technical points, but brimming with information about the conception of the work, the ideas acted upon and the message the artist wanted to convey. Take for example the wall-text provided for Degas’ ‘After the Bath, Woman Drying Herself’ at the National Gallery: This densely worked pastel is executed on several pieces of paper mounted on cardboard. [†¦] This work is one of a series of similar subjects dating from this period, when bathers and dancers were the artists principal themes. Here Degas has exploited the flexibility of the pastel medium, creating sumptuous textures and blurred contours which emphasise the movement of the figure.’ (National Gallery, 2012) Then compare it to the information provided by Tate Modern about ‘Seated Figure’ by Francis Bacon: ‘Bacon’s portraits are explorations of the human condition as much as they are character studies [†¦] They also represent a complex exploration of pictorial space: the figure is simultaneously posed among some elegant items of furniture and confined within a box-like frame. This device, which was one of Bacon’s trademarks, underlines the sense of isolation as well as generating a claustrophobic psychological intensity.’ (Tate Modern, 2012) While the text in the National Gallery display talks of the ‘pieces of paper mounted on cardboard’, the ‘flexibility of the pastel medium’ and Degas’ use of bathers and dancers as themes, the text from Tate Modern comments on the artist’s general work as ‘character studies’, the box underlining a ‘sense of isolation as well as generating a claustrophobic psychological intensity.’   The first is about artistic fact, the second about interpretation of emotional artistic intent. Though these are merely two examples, the displays as a whole follow these lines in their wall-texts throughout. This prioritizing of information around the art further underlines the difference in approach taken by the two galleries; the National Gallery’s display – spanning over two centuries – focuses on the evolution of techniques and surrounding circumstances while Tate Modern’s display, with its snippet of a time frame, investigates the ideas of that time more closely.   Both provide relevant information to their aim. Finally, there is the matter of the division and content within the displays themselves.   The National Gallery’s display is divided into 13 rooms, each with an art historic theme like ‘France 1700-1800’ (room 33), ‘Canaletto and Guardi’ (room 38), ‘Degas and Art Around 1900’ (room 46) or ‘The Academy’ (room 41).   Thus the National Gallery enforces the perception of art in a fixed, historical timeline through which the visitor can trace the evolution of themes, techniques, establishments or artistic development within a nation.   This layout of the display makes the National Gallery an institution for the study of art history, but perhaps it is less suitable than the Tate Modern for the study of message-loaded art. The layout of Transformed Visions is all about the artistic impetus behind the work.   The rooms are equipped not according to time period or artists, but according to the ideas the artists have in common.   It is a different take on how to show the evolution of art.   The display begins with alternative conceptions of what it means to display the human figure as the human itself.   Germaine Richier’s ‘Shepherd of the Landes’ depicts a French shepherd who has become one with his stilts ‘achieving an insect-like adaptability’ (Tate Modern, 2012) and the caption on the wall comments on this as ‘striking a chord with the bleak image of humanity prevalent in Europe after the Second World War’ (Tate Modern, 2012). Moving from this concept of alternative images of the human figure itself, the display moves through ‘This Exquisite Forest’ – a web-based art project encouraging public contribution i.e. an abstracted virtual imprint of human life and connection, and finally leaves the visitor with the idea that the human figure does not have to be a figure at all.   Mark Ruwedel and Ursula Schulz-Dornburg’s photographies towards the end of the display present the idea that things like bomb craters and train stations   are ultimately imprints of humans because they are human-made, and in the very last room of the display finding nothing but Iranian flags stained by pollution cements the idea of extensions of humanity as humanity itself. While the National Gallery’s display moves chronologically through the time of art, Transformed Visions includes works from outside the era of its theme (post-war, see Room 5 of the display for example) in order to showcase the influences on the artist.   In this way both the National Gallery and Tate Modern trace the historical placement of the art in the display – the National Gallery through linear history, allowing the art to show for itself who has been influenced by what, and the Tate Modern creates an alternative history traced through impact and idea. It can in fact be said that both the 18th to early 20th century display and Transformed Visions concern themselves with history as the primary and optimal way of displaying art.   The difference is in how the displays consider history to move.   While Tate Modern takes a conceptual approach to art history – the concept being that a linear history can be traced through ideas rather than events and physical happening – the National Gallery’s display centers on a traditional, physical history. However, the question is not, after all, a question about mind or matter.   Rather, it is a question about the mind in the matter.   One display sends a message from Whistler – indeed the National Gallery’s choice in display layout and information conveys an inclination towards Whistler’s idea – ‘art for art’s sake’ (Ten O’clock Lecture, 1885) – whilst the other is all about art as a mouth piece for political, philosophical and aesthetic issues. The 18th to early 20th century display at the National Gallery is designed to give minimal interpretation of the artworks.   Instead the display is designed for the observation of the development of artistic ideas – artistic here meaning ideas about the making of the art and the art itself – to appreciate the craftsmanship that went into making it and to enjoy the impression left by well-made art. Transformed Visions is to the contrary all about art engaging in a political conversation with its surroundings.   The focus is not necessarily on the craftsmanship that goes into making the piece but rather on what the piece means.   While Hirschhorn’s ‘Candelabra with Heads’ may not require a lot of artistic craftsmanship – it is after all just mannequin heads gaffa-taped onto obscure lumps and a pole – it certainly requires artistic vision. Therefore, as stated in the introduction, the main contrast between the two displays is the matter of artistic labor and technique versus artistic vision and message. Both displays show a variety of work conceived by artists moving away from the realistic painting school – though of course the National Gallery’s display due to time span does begin in a more classicist strand of art – and moving towards a more emotionally and intellectually expressive form of art. Conclusion According to Joseph Ishikawa (1961, p. 238) ‘it is of prime importance for the museum man to know what he is peddling, to what he is converting people, why he is parting people from their money to support a particular program.’ In other words; in order to create a good display a curator must understand not only what the individual painting is saying but the display as a whole, and therefore deciding what information to provide visitors with varying knowledge with, becomes a crucial element of the display itself and therefore the focus of this essay. Despite the fundamentally similar impetus for the creation of the artworks exhibited, the two displays diverge in their choice of focus on aspects of the art. The National Gallery’s 18th to early 20th century display, is chronological and historical with a focus of information about the style of the artwork, the biographical details around the subjects and the artist and detailed information about the artistic movements and developments in techniques and thinking around art that all went into creating the work discussed. The Tate Modern Transformed Visions display presents a different chronology – a chronology of thought.   The focus of the display is post-war thinking on humanity but where the idea fits, the time of creation of a work of art is insignificant and works like Joseph Mallord William Turner’s ‘Yacht Approaching the Coast’ – painted over a century before most of the works in the rest of the display – are still featured because of their influence, importance or other relation to the more contemporary artworks in question. The display in the National Gallery, taking up a full wing of an established institution, placed in a historical building with grand arches and great historical standing effectively canonizes the artworks on display the art itself is the message. The Tate Modern display in the barren rooms of a modern building with   modern ideas is a look into the recent past that casts a reflection into the future – an idea that the political or philosophical message of the art might override the appreciation of aesthetically pleasing forms. Ultimately, both displays concern themselves with the past of art and how it reflects on the present world of art and the direction it might be heading in the future. Art is not, after all, mind over matter, a choice of idea or aesthetic, but rather a combination of all four into different modes of expressions emphasising different concepts at different times and in different ways. REFERENCE LIST Reading: Anderson, C., 2007. Madrid Abierto: Curatorship, Public Art and the City, Building Materials [e-journal] 17, Available through: JSTOR [url: jstor.org/stable/29792339 ] [Accessed 21 November 2012) Brainy Quote, 2012, James Whistler Quotes [online] Available at: brainyquote.com/quotes/quotes/j/jameswhist382345.html [Accessed on 17 November 2012] Ishikawa, J., 1961, Curatorship Training and Museology, Art Journal [e-journal] 20 (4) Available through: JSTOR [url: jstor.org/stable/774392] [Accessed 21 November 2012] James McNeill Whistler, 1885, Ten O’clock Lecture, Public lecture, Princes Hall [online] Available at: whistler.arts.gla.ac.uk/miscellany/tenoclock/ [Accessed on 18 November 2012] National Gallery, 2012, 18th to early 20th century: Collection Overview [online] nationalgallery.org.uk/paintings/collection-overview/collection-overview/*/viewPage/5 [Accessed on 16 November 2012] Tate Modern, 2012, Tate Collection Displays: Transformed Visions [online] Available at: tate.org.uk/whats-on/tate-modern/display/transformed-visions [Accessed on 16 November 2012] Tate Modern, 2012, Museum Map [online] Available at: tate.org.uk/download/file/fid/20671 [Accessed on 18 November 2012] Think Exist, 2012, James Whistler Quotes [online] Available at: http://thinkexist.com/quotation/an-artist-is-not-paid-for-his-labor-but-for-his/1273394.html [Accessed on 17 November 2012] Works without available illustration: Hirschhorn, T., 2006, Candelabra with Heads (London: Tate Modern Collection Displays) Ruwedel, M., 1999, printed 2008, Crater #1 (London: Tate Modern Collection Displays) Schulz-Dornburg, U., 2003, From Medina to Jordan Border, Saudi Arabia (London: Tate Modern Collection Displays)

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